Bibliographies
The VOcal and Verbal Arts BIBLIOGRAPHY aims at establishing oral poetic tradition as a unique art form. We are compiling references to diverse works that ground our scholarship in long-standing academic pursuits. Presenting five main academic orientations that inform the ongoing, continued inquiries and theories relating to vocal and verbal art performance, we hope to make vocal and verbal art scholarship more accessible and systematized for researchers, students, and community language speakers.
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Aboriginal Epistemology
Ermine, Willie
Ermine, Willie, 1995. “Aboriginal Epistemology.” In First Nations education in Canada: The circle unfolds, Edited by M. Battiste and J. Barman. Vancouver: UBC Press.Aboriginal Oral Tradition: Theory, Practice, Ethics
Hulan, Renée; Eigenbrod, Renate
Hulan, Renée and Renate Eigenbrod, eds., 2008. Aboriginal Oral Tradition: Theory, Practice, Ethics. Winnipeg: Fernwood Publishing.Academia Scientiarum Fennica, coll. "Folklore Fellow's Communications
Uther, Hans-Jörg
Uther, Hans-Jörg, 2004. “The Types of International Folktales: A Classification and Bibliography Based on the System of Antti Aarne and Stith Thompson.” Academia Scientiarum Fennica, coll. "Folklore Fellow's Communications, Volume 3: 284-286.Academia Scientiarum Fennica, coll. Folklore Fellow's Communications
Uther, Hans-Jörg
Uther, Hans-Jörg, 2004. “The Types of International Folktales: a Classification and Bibliography Based on the System of Antti Aarne and Stith Thompson.” Academia Scientiarum Fennica, coll. Folklore Fellow's Communications, Volume 3: 284-286.A Carib grammar and dictionary
Courtz, Hendrik
Courtz, Hendrik, 2008. A Carib grammar and dictionary. Toronto: Magoria Books.Acheminement vers la parole
Heidegger, Martin
Heidegger, Martin, 1976. Acheminement vers la parole. Translated by Jean Beaufret, Wolfgang Brokmeier, and François Fédier. Paris: Gallimard.A Cheyenne Voice: The Complete John Stands in Timber Interviews
Liberty, Margot; DeMallie, Raymond J.; Stands in Timber, John
Liberty, Margot, Raymond J. DeMallie and John Stands in Timber, 2013. A Cheyenne Voice: The Complete John Stands in Timber Interviews. Norman: University of Oklahoma Press.Acoma Grammar and Texts
Miller, Wick R.
Miller, Wick R., 1965. Acoma Grammar and Texts. Berkeley: University of California Press.Acoma Grammar and Texts
Miller, Wick
Miller, Wick, 1965. Acoma Grammar and Texts. Berkeley: University of California Press.Acoma Grammar and Texts
Moshinsky, Julius
Moshinsky, Julius, 1974. Acoma Grammar and Texts. Berkeley: University of California Press.A Concise Blackfoot Grammar, Based on Material from the Southern Peigans
Uhlenbeck, C. C.
Uhlenbeck, C. C., 1938. A Concise Blackfoot Grammar, Based on Material from the Southern Peigans. Amsterdam: Uitgave Van de N.V. Noord-Hollandsche Uitgevers-Maatschappij.A Corpus-Driven Approach to Language Contact, Endangered Languages in a Comparative Perspective
Amadou, Evangelia
Amadou, Evangelia, 2016. A Corpus-Driven Approach to Language Contact, Endangered Languages in a Comparative Perspective. Berlin: De Gruyter Mouton.Acquiring Conversational Competence
Ochs, Elinor; Schieffelin, Bambi B.
Ochs, Elinor and Bambi B. Schieffelin, (1983) 2016. Acquiring Conversational Competence. London: Routledge.A Crow Text, with Grammatical Notes
Lowie, R. H.
Lowie, R. H., 1930. A Crow Text, with Grammatical Notes. Berkeley: University of California Press.Acta Fabula
Webster, Anthony K.
Webster, Anthony K., 2018. “On the value of “quiet language” and poetry in linguistic anthropology.” Acta Fabula, Volume 19, No. 5.Acta Linguistica Hungarica
Zuckermann, Ghil'ad
Zuckermann, Ghil'ad, 2006. “Direct and Indirect Speech in Straight-Talking Israeli.” Acta Linguistica Hungarica, Volume 53, No. 4: 467-481.Acta Musicologica
De Surmont, Jean-Nicolas
De Surmont, Jean-Nicolas, 2013. “Ars cantandi et ars dicendi : Dire et chanter une oeuvre vocale.” Acta Musicologica, Volume 85, No. 1: 75-91.A Dictionary of Cameroon Pidgin English Usage, Pronunciation, Grammar and Vocabulary
Kouega, Jean-Paul
Kouega, Jean-Paul, 2008. A Dictionary of Cameroon Pidgin English Usage, Pronunciation, Grammar and Vocabulary. Munich: LINCOM GmbH.A Dictionary of Creek/ Muskogee
Martin, Jack
Martin, Jack, 2000. A Dictionary of Creek/ Muskogee. Lincoln: University of Nebraska Press.A dictionary of Jiwarli
Austin, Peter K.
Austin, Peter K., 1992. A dictionary of Jiwarli. Bundoora: La Trobe University.A dictionary of Payungu, Western Australia
Austin, Peter K.
Austin, Peter K., 1992. A dictionary of Payungu, Western Australia. Bundoora: La Trobe University.A Dictionary of Skiri Pawnee
Parks, Douglas; Pratt, Lulu
Parks, Douglas and Lulu Pratt, 2008. A Dictionary of Skiri Pawnee. Lincoln: University of Nebraska Press.A Festival of Guyanese Words
Rickford, John R.
Rickford, John R., ed., 1976. A Festival of Guyanese Words. Georgetown: University of Guyana.A Folkloristic Perspective
Bar-Itzhak, Haya
Bar-Itzhak, Haya, 2009. “The Legend of the Jewish Holy Virgin of Ludmir: A Folkloristic Perspective.” A Folkloristic Perspective, Volume 46, No. 3: 269-92.African Affairs
Nyairo, Joyce; Ogude, James
Nyairo, Joyce and James Ogude, 2005. “Popular Music, popular politics: Unbwogable and the idioms of freedom in Kenyan popular music.” African Affairs, Volume 104, No. 415: 225-249.Africana Linguistica
Musamba Chanda, V.
Musamba Chanda, V., 1994. “On Bemba dynastic poetry.” Africana Linguistica, Volume 11: 19-26.Africana Linguistica
Musamba Chanda, V.
Musamba Chanda, V., 1986. “Notes on Wongo Phonology and Morphology.” Africana Linguistica, Volume 10: 279-294.Africana Linguistica
Musamba Chanda, V.
Musamba Chanda, V., 1986. “Studies in Wongo Oral Literature.” Africana Linguistica, Volume 10: 295-314.African Art as Philosophy - Senghor, Bergson and the Idea of Negritude
Diagne, Souleymane Bachir
Diagne, Souleymane Bachir, 2012. “African Art as Philosophy - Senghor, Bergson and the Idea of Negritude.” ARTAFRICA.African Art as Philosophy: Senghor, Bergson and the Idea of Negritude
Diagne, Souleymane Bachir
Diagne, Souleymane Bachir, 2012. African Art as Philosophy: Senghor, Bergson and the Idea of Negritude. Calcutta: Seagul Books.Africanisms in the Gullah Dialect
Turner, Lorenzo
Turner, Lorenzo, 1949. Africanisms in the Gullah Dialect. Chicago: University of Chicago Press.African Language Review
Andrzejewski, B. W.
Andrzejewski, B. W., 1967. “The Art of the Miniature in Somali Poetry..” African Language Review, Volume 6: 5-16.African Languages and Culturees
Andrzejewski, B. W.
Andrzejewski, B. W., 1988. “Infills: Nouns and Verbs without Lexical Meanings in Somali Oral Poetry.” African Languages and Culturees, Volume 1, No. 1: 1-14.African Languages and Cultures
Mbele, Joseph L.
Mbele, Joseph L., 1996. “Wimbo wa Miti: An Example of Swahili Women's Poetry.” African Languages and Cultures, Volume 9, No. 1: 71-82.African Languages and Cultures
Mtenje, Al
Mtenje, Al, 1992. “Extralinguistic Constraints on Rule Application in Chichewa and Chiyao Phonology.” African Languages and Cultures, Volume 5, No. 1.African Languages and Cultures
Johnson, John W.
Johnson, John W., 1996. “Musico-Moro-Syllabic Relationships in the Scansion of Somali Oral Poetry.” African Languages and Cultures, Volume 3: 73-82.African Languages and Cultures
Fagborun, J.
Fagborun, J., 1990. “Yoruba Counting Verses: A Linguistic Approach to Oral Tradition.” African Languages and Cultures , Volume 3, No. 2: 168-180.African Oral Literature: Backgrounds, Character, and Continuity
Okpewho, Isidore
Okpewho, Isidore, 1992. African Oral Literature: Backgrounds, Character, and Continuity. Bloomington: Indiana University Press.African Oral Literature: Backgrounds, Character, and Continuity
Okpewho, Isidore
Okpewho, Isidore, 1992. African Oral Literature: Backgrounds, Character, and Continuity. Indianapolis: University of Indiana Press.African Polyphony and Polyrhythm. Musical Structure and Methodology.
Simha, Arom
Simha, Arom, 1991. African Polyphony and Polyrhythm. Musical Structure and Methodology.. Cambridge: Cambridge University Press.African Study Monographs
Hussein, Jeylan W.
Hussein, Jeylan W., 2005. “The Functions of African Oral Arts: The Arsi-Oromo Oral Arts in Function.” African Study Monographs, Volume 26, No. 1: 15-58.Afrique et Langage
Cauvin, Jean
Cauvin, Jean, 1976. “Les proverbes comme expression privilégiée de la pensée imageante.” Afrique et Langage, Volume 6: 5-34.After Amnesia: Tradition and Change in Indian Literary Criticism
Devy, G. N.
Devy, G. N., 1998. After Amnesia: Tradition and Change in Indian Literary Criticism. Hyderabad: Orient Longman.A Full Hearing: Orality and Literacy in the Malay World
Sweeney, Admin
Sweeney, Admin, 1987. A Full Hearing: Orality and Literacy in the Malay World. Berkeley: University of California Press.Agency in Language
Duranti, Allesandro
Duranti, Allesandro, 2004. “Agency in Language.” In A Companion to Linguistic Anhropology, Edited by Alessandro Duranti and Charles Goodwin. Oxford: Blackwell Publishing.A Grammar of Blackfoot
Taylor, Allan Ross
Taylor, Allan Ross, 1969. “A Grammar of Blackfoot.” PhD diss., University of California-Berkeley.A Grammar of Chalcatongo Mixtec
Macaulay, Monica
Macaulay, Monica, 1996. A Grammar of Chalcatongo Mixtec. Berkeley: University of California Press.A Grammar of Comanche
Charney, Jean
Charney, Jean, 1994. A Grammar of Comanche. Lincoln: University of Nebraska Press.A Grammar of Creek (Muskogee)
Martin, Jack
Martin, Jack, 2011. A Grammar of Creek (Muskogee). Lincoln: University of Nebraska Press.A Grammar of Crow Apsáalooke Aliláau
Graczyk, Randolph
Graczyk, Randolph, 2007. A Grammar of Crow Apsáalooke Aliláau. Lincoln: University of Nebraska Press .