Bibliographies

The VOcal and Verbal Arts BIBLIOGRAPHY aims at establishing oral poetic tradition as a unique art form. We are compiling references to diverse works that ground our scholarship in long-standing academic pursuits. Presenting five main academic orientations that inform the ongoing, continued inquiries and theories relating to vocal and verbal art performance, we hope to make vocal and verbal art scholarship more accessible and systematized for researchers, students, and community language speakers.

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Books 2005

Oralité africaine et création

Dauphin-Tinturier, Anne-Marie; Derive, eds.,, Jean

Dauphin-Tinturier, Anne-Marie and Jean Derive, eds., 2005. Oralité africaine et création. Paris: Karthala.
Books 1982

Orality and Literacy: The Technologizing of the World

Ong, Walter

Ong, Walter, 1982. Orality and Literacy: The Technologizing of the World. London: Methuen.
Books 2004

Orality: the Power of the Spoken Word

Fürniss, Graham

Fürniss, Graham, 2004. Orality: the Power of the Spoken Word. London: Palgrave Macmillan.
Books 2012

Oral Literature in Africa

Finnegan, Ruth

Finnegan, Ruth, 2012. Oral Literature in Africa. Cambridge: OpenBookPublishers.
Booksection 2021

Oral Literature. Liberty and Political Change

Sone, Endogene Mirabeau

Sone, Endogene Mirabeau, 2021. “Oral Literature. Liberty and Political Change.” In The Palgrave Handbook of African Oral Traditions and Folklore, Edited by Akintunde Akinyemi and Toyin Falola. Cham: Palgrave Macmillan.
Books 1995

Oral Literature Mythology of the Blackfoot Indians

Kehoe, Alice Beck; Duvall, D. C.; Wissler, Clark

Kehoe, Alice Beck, D. C. Duvall and Clark Wissler, 1995. Oral Literature Mythology of the Blackfoot Indians. Lincoln: University of Nebraska Press.
Booksection 1965

Oral Poetry

Lord, Albert Bates

Lord, Albert Bates, 1965. “Oral Poetry.” In Princeton Encyclopedia of Poetry and Poetics, Edited by A. Preminger. Princeton: Princeton University Press.
Books 1977

Oral Poetry, its nature, significance and social context

Finnegan, Ruth

Finnegan, Ruth, 1977. Oral Poetry, its nature, significance and social context. Cambridge: Cambridge University Press.
Journalarticle 1996

Oral Traditioin

Rai, B. A.

Rai, B. A., 1996. “Epics in the Oral Genre System of Tulunadu.” Oral Traditioin, Volume 11, No. 1: 163-172.
Journalarticle 1988

Oral Tradition

Brody, Jill

Brody, Jill, 1988. “Incipient Literacy: From Involvement to Integration in Tojolabal Maya.” Oral Tradition, Volume 3, No. 3: 315-352.
Journalarticle 2005

Oral Tradition

Burns, James

Burns, James, 2005. “My Mother Has A Television, Does Yours? Transformation and Secularization in an Ewe Funeral Drum Tradition.” Oral Tradition, Volume 20, No. 2: 300-319.
Journalarticle 1998

Oral Tradition

Bender, Mark

Bender, Mark, 1998. “Butterflies and Dragon-Eagles: Processing Epics from Southwest China.” Oral Tradition, Volume 27, No. 1: 5-42.
Journalarticle 2000

Oral Tradition

Wiget, Andrew

Wiget, Andrew, 2000. “Cycle Construction and Character Development in Central Algonkian Trickster Tales.” Oral Tradition, Volume 21, No. 2: 250-268.
Journalarticle 1965

Oral Tradition

Ramsey, Jarold

Ramsey, Jarold, 1965. “Genderic and Racial Appropriation in Howard's 'The Honorable Milt'.” Oral Tradition, Volume 10, No. 2: 263-281.
Journalarticle 1990

Oral Tradition

Pond, Wendy

Pond, Wendy, 1990. “Wry Comment From the Outback: Songs of Protest From the Niua Islands, Tonga.” Oral Tradition, Volume 5, No. 2-3: 205-218.
Journalarticle 1994

Oral Tradition

Ahmed, Sa’idu Babura and Graham Furniss

Ahmed, Sa’idu Babura and Graham Furniss, 1994. “Pattern, Interaction, and the Non-Dialogic in Performance by Hausa Rap Artists.” Oral Tradition, Volume 9/1: 113-135.
Journalarticle 2010

Oral Tradition

Adèȩ́ḳọ́, Adélélè

Adèȩ́ḳọ́, Adélélè, 2010. “‘Writing’ and ‘Reference’ in Ifá Divination Chants.” Oral Tradition, Volume 25/2: 283-303.
Journalarticle 1997

Oral Tradition

Vīķis-Freibergs, Vaira

Vīķis-Freibergs, Vaira, 1997. “Sink or Swim: On Associative Structuring in Longer Latvian Folksongs.” Oral Tradition, Volume 12, No. 2: 279-307.
Journalarticle 1991

Oral Tradition

Kekez, Josip

Kekez, Josip, 1991. “Bugaršćice: A Unique Type of Archaic Oral Poetry Historical and Geographical Definition.” Oral Tradition, Volume 6, No. 2-3: 200-224.
Journalarticle 1989

Oral Tradition

Reichl, Karl

Reichl, Karl, 1989. “Formulaic Diction in Kazakh Epic Poetry.” Oral Tradition, Volume 4, No. 3: 360-381.
Journalarticle 2004

Oral Tradition

Okpewho, Isidore

Okpewho, Isidore, 2004. “Performance and Plot in The Ozidi Saga.” Oral Tradition, Volume 19, No. 1: 63-95.
Journalarticle 1990

Oral Tradition

Orbell, Margaret

Orbell, Margaret, 1990. “’My Summit Where I Sit’: Form and Content in Maori Women’s Love Songs.” Oral Tradition, Volume 5, No. 2-3: 185-204.
Journalarticle 1990

Oral Tradition

Feld, Steven

Feld, Steven, 1990. “Wept Thoughts: The Voicing of Kaluli Memories.” Oral Tradition, Volume 5, No. 2-3: 241-266.
Journalarticle 2008

Oral Tradition

Fishman, Andreak

Fishman, Andreak, 2008. “Thrênoi to Moirológia: Female Voices of Solitude, Resistance, and Solidarity.” Oral Tradition, Volume 23, No. 2: 267-295.
Journalarticle 2003

Oral Tradition

Tokita, Alison

Tokita, Alison, 2003. “Performed Narratives and Music in Japan Oral Tradition.” Oral Tradition, Volume 16, No. 1: 26-9.
Journalarticle 2011

Oral Tradition

Sakaa, Minako

Sakaa, Minako, 2011. “Possibilities of Realities, Variety of Versions: The Historical Consciousness of Ainu Folktalkes.” Oral Tradition, Volume 26, No. 1: 175-90.
Journalarticle 1996

Oral Tradition

Revel, Nicole

Revel, Nicole, 1996. “Kudaman: An Oral Epic in the Palawan Highlands.” Oral Tradition, Volume 11, No. 1: 108-132.
Journalarticle 2009

Oral Tradition

Khan, Amadu

Khan, Amadu, 2009. “Paradigms of Social Aesthetic in Themne Oral Performance.” Oral Tradition, Volume 24, No. 1: 143-159.
Journalarticle 1989

Oral Tradition

Connely, Bridget; Massie, Henry

Connely, Bridget and Henry Massie, 1989. “Epic Splitting: An Arab Folk Glosson the Meaning of the Hero Pattern.” Oral Tradition, Volume 4, No. 1-2: 101-124.
Journalarticle 1998

Oral Tradition

Zepeda, Ofelia; Hill, Jane

Zepeda, Ofelia and Jane Hill, 1998. “Collaborative Sociolinguistic Research among the Tohono O'odham.” Oral Tradition, Volume 26, No. 2: 597-600.
Journalarticle 2006

Oral Tradition

Ugochukwu, Françoise

Ugochukwu, Françoise, 2006. “The Devil’s Colors: A Comparative Study of French and Nigerian Folktales.” Oral Tradition, Volume 21, No. 2: 250-268.
Journalarticle 2012

Oral Tradition

Lamb, William

Lamb, William, 2012. “The Storyteller, the Scribe, and a Missing Man: Hidden Influences from Printed Sources in the Gaelic Tales of Duncan and Neil MacDonald.” Oral Tradition, Volume 4, No. 3: 109-160.
Journalarticle 2001

Oral Tradition

Gejin, Chao

Gejin, Chao, 2001. “The Oirat Epic Cycle of Jangar.” Oral Tradition, Volume 2, No. 1: 54-72.
Journalarticle 2001

Oral Tradition

Groenewald, H. C.

Groenewald, H. C., 2001. “I Control the Idioms: Creativity in Ndebele Praise Poetry.” Oral Tradition, Volume 16, No. 1: 29-57.
Journalarticle 2016

Oral Tradition

Leavitt, John

Leavitt, John, 2016. “Authoritative Modes of Speech in a Central Himalayan Ritual.” Oral Tradition, Volume 16, No. 2: 195-210.
Journalarticle 2003

Oral Tradition

Groenewald, H. C.

Groenewald, H. C., 2003. “Zulu Oral Art.” Oral Tradition, Volume 18, No. 1: 87-90.
Journalarticle 2017

Oral Tradition

Cruz, Hilaria

Cruz, Hilaria, 2017. “Prayers for the Community: Parallelism and Performance in San Juan Quiahije Eastern Chatino.” Oral Tradition, Volume 31, No. 2: 509-34.
Journalarticle 1997

Oral Tradition

Hale, Thomas

Hale, Thomas, 1997. “From the Griot of Roots to the Roots of Griot: A New Look at the Origins of a Controversial African Term for Bard.” Oral Tradition, Volume 12, No. 2: 249-278.
Journalarticle 1989

Oral Tradition

Haydar, Adnan

Haydar, Adnan, 1989. “The Development of Lebanese Zajal: Genre, Meter, and Verbal Duel.” Oral Tradition, Volume 4, No. 1-2: 189-212.
Journalarticle 1989

Oral Tradition

Sowayan, Saad

Sowayan, Saad, 1989. “Tonight My Gun Is Loaded’: Poetic Dueling In Arabia.” Oral Tradition, Volume 4, No. 1-2: 151-173.
Journalarticle 2007

Oral Tradition

Mason, Catharine

Mason, Catharine, 2007. “'The Low Hum in Syllables and Meters': Blues Poetics in Bob Dylan’s Verbal Art.” Oral Tradition, Volume 22, No. 1: 197-216.
Journalarticle 1994

Oral Tradition

Hymes, Dell

Hymes, Dell, 1994. “Ethnopoetics, Oral-Formulaic Theory, and Editing Texts.” Oral Tradition, Volume 9, No. 2: 330-370.
Journalarticle 1997

Oral Tradition

Narayan, Kirin

Narayan, Kirin, 1997. “Singing from Separation: Women’s Voices in and about Kangra Folksongs.” Oral Tradition, Volume 12, No. 1: 23-53.
Journalarticle 2013

Oral Tradition

Revel, Nicole

Revel, Nicole, 2013. “The Philippine Epics and Ballads Multimedia Archive.” Oral Tradition, Volume 28, No. 2: 371-378.
Journalarticle 1989

Oral Tradition

Sbait, Ḍirghām

Sbait, Ḍirghām, 1989. “Palestinian Improvised-Sung Poetry: The Genres of Ḥidā and Qarrādī—Performance and Transmission.” Oral Tradition, Volume 4, No. 1-2: 213-235.
Journalarticle 2003

Oral Tradition

Mason, Catharine

Mason, Catharine, 2003. “Oral Poetry in the Foreign Language Classroom.” Oral Tradition, Volume 18, No. 1: 127-129.
Journalarticle 1998

Oral Tradition

Bender, Mark

Bender, Mark, 1998. “Suzhou Tanci Storytelling in China: Contexts of Performance.” Oral Tradition, Volume 13, No. 2: 330-376.
Journalarticle 2012

Oral Tradition

Campbell, Catherine

Campbell, Catherine, 2012. “Masonic Song in Scotland: Folk Tunes and Community.” Oral Tradition, Volume 27, No. 1: 85-108.
Journalarticle 2005

Oral Tradition

Barber, Karin

Barber, Karin, 2005. “Text and Performance in Africa.” Oral Tradition, Volume 20, No. 2: 264-277.
Journalarticle 1994

Oral Tradition

Azuonye, Chukwuma

Azuonye, Chukwuma, 1994. “Oral Literary Criticism and the Performance of the Igbo Epic.” Oral Tradition, Volume 9, No. 1: 136-161.